Jump blues is an

up-tempo A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special mus ...

style of

blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...

, usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of

rhythm and blues Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly ...

and

rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from Africa ...

. Appreciation of jump blues was renewed in the 1990s as part of the

swing revival The swing revival, also called retro swing and neo-swing, was a renewed interest in swing music, beginning around 1989 and reaching a peak from the early/mid to late 1990s. The music was generally rooted in the big bands of the swing era of the ...

Origins

Jump blues evolved from the music of

big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s an ...

s such as those of

Lionel Hampton Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles M ...

and

Lucky Millinder Lucius Venable "Lucky" Millinder (August 8, 1910 – September 28, 1966) was an American swing and rhythm-and-blues bandleader. Although he could not read or write music, did not play an instrument and rarely sang, his showmanship and musical ...

in the early 1940s which produced musicians such as

Louis Jordan Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as " the King of the Jukebox", he earned his high ...

Jack McVea John Vivian McVea (November 5, 1914 – December 27, 2000) was an American swing, blues, and rhythm and blues woodwind player and bandleader. He played clarinet and tenor and baritone saxophone. Career Born in Los Angeles, California, his fat ...

Earl Bostic Eugene Earl Bostic (April 25, 1913 – October 28, 1965) was an American alto saxophonist. Bostic's recording career was diverse, his musical output encompassing jazz, swing, jump blues and the post-war American rhythm and blues style, which h ...

, and Arnett Cobb. Jordan was the most popular of the jump blues stars; other artists who played the genre include Roy Brown,

Amos Milburn Joseph Amos Milburn (April 1, 1927 – January 3, 1980) was an American rhythm-and-blues singer and pianist, popular in the 1940s and 1950s. He was born in Houston, Texas, and died there 52 years later. One commentator noted, "Milburn excel ...

, and

Joe Liggins Joseph Christopher Liggins, Jr. (born Theodro Elliott; July 9, 1916 – July 26, 1987) was an American R&B, jazz and blues pianist and vocalist who led Joe Liggins and his Honeydrippers in the 1940s and 1950s. His band appeared often on the ''B ...

, as well as sax soloists Jack McVea, Big Jay McNeely, and

Bull Moose Jackson Benjamin Clarence "Bull Moose" Jackson (April 22, 1919 – July 31, 1989)Allmusic biography Accessed January 2008. was an American blues and rhythm-and-blues singer and saxophonist, who was most successful in the late 1940s. He is considered a p ...

. Hits included singles such as Jordan's "Saturday Night Fish Fry", Roy Brown's "Good Rockin' Tonight" and Big Jay McNeely's "Deacon's Hop". Louis Jordan's Typany Five, New York, N

One important stylistic prototype in the development of R&B was jump blues, pioneered by Louis Jordan, with ... His Tympany Five ... three horns and a rhythm section, while stylistically his music melded elements of swing and blues, incorporating the shuffle rhythm, boogie-woogie bass lines, and short horn patterns or riffs. The songs featured the use of African American vernacular language, humor, and vocal call-and-response sections between Jordan and the band. Jordan’s music appealed to both African American and white audiences, and he had broad success with hit songs like "Is You Is or Is You Ain’t My Baby" (1944).

Blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...

and

jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major ...

were part of the same musical world, with many musicians straddling both genres. Jump bands such as the

Tympany Five Tympany Five was a successful and influential American rhythm and blues and jazz dance band founded by Louis Jordan in 1938. The group was composed of a horn section of three to five different pieces and also drums, double bass, guitar and pi ...

, which came into being at the same time as the

boogie-woogie Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from pi ...

revival, achieved maximum effect with an eight-to-the-bar boogie-woogie style.Dietsche, p. 9. Jordan's "raucous recordings" with the Tympany Five like "

Saturday Night Fish Fry "Saturday Night Fish Fry" is a jump blues song written by Louis Jordan and Ellis Lawrence Walsh, best known through the version recorded by Louis Jordan and His Tympany Five. The recording is considered to be one of the "excellent and commercially ...

", one of the first to feature a distorted electric guitar, "literally made its listeners jump to its pulsing beat". Jordan's jump blues combined good-natured novelty lyrics (some with suggestive double meanings); pushing the tempo; strengthening the beat; layering the sound with his bluesy saxophone and playful melodies. Drummer-and-Vibrafonist-Lionel-Hampton-during-a-show-in-Stockholm-consert-hall-142452987990

Drummer-and-Vibrafonist-Lionel-Hampton-during-a-show-in-Stockholm-consert-hall-142452987990

recorded the stomping big-band blues song "

Flying Home "Flying Home" is a jazz and jump blues composition written by Benny Goodman and Lionel Hampton with lyrics by Sid Robin. Background It was reportedly developed while Hampton was in the Benny Goodman band. A gig in 1939 required the band to f ...

" in 1942. Featuring a choked, screaming

tenor sax The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while th ...

performance by

Illinois Jacquet Jean-Baptiste "Illinois" Jacquet (October 30, 1922 – July 22, 2004) was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. Although he was a pioneer of t ...

, the song was a hit in the "

race Race, RACE or "The Race" may refer to: * Race (biology), an informal taxonomic classification within a species, generally within a sub-species * Race (human categorization), classification of humans into groups based on physical traits, and/or s ...

" category.Palmer, p. 134. ''

Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertise ...

'' described "Flying Home" as "an unusually swingy side...with a bright bounce in the medium tempo and a steady drive maintained, it's a jumper that defies standing still". Both Hampton and Jordan combined the popular boogie-woogie rhythm, a grittier version of swing-era saxophone styles as exemplified by

Coleman Hawkins Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first p ...

and

Ben Webster Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist. Career Early life and career A native of Kansas City, Missouri, he studied violin, learned how to play blues on the piano from ...

, and playful, humorous lyrics or verbal asides laced with

jive talk Jive talk, also known as Harlem jive or simply Jive, the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip is an African-American Vernacular English slang or vocabulary that developed in Harlem, where "ji ...

. As this urban, jazz-based music became more popular, musicians who wanted to "play for the people" began favoring a heavy, insistent beat. which appealed to black listeners who no longer wished to be identified with "life down home". Jump groups, employed to play for

jitterbug Jitterbug is a generalized term used to describe swing dancing. It is often synonymous with the lindy hop dance but might include elements of the jive, east coast swing, collegiate shag, charleston, balboa and other swing dances. Swing danc ...

dances at a much lower cost than big bands, became popular with agents and ballroom owners. The saxophonist Art Chaney said " were insulted when an audience wouldn't dance". Jump was especially popular in the late 1940s and early 1950s, through artists such as

Big Joe Turner Joseph Vernon "Big Joe" Turner Jr. (May 18, 1911 – November 24, 1985) was an American singer from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him." His greatest fame was due to ...

, Roy Brown, Charles Brown,

Helen Humes Helen Humes (June 23, 1913 – September 9, 1981) was an American singer. Humes was a teenage blues singer, a vocalist with Count Basie's band, a saucy R&B diva, and a mature interpreter of the classic popular song. Early life She was born on ...

T-Bone Walker Aaron Thibeaux "T-Bone" Walker (May 28, 1910 – March 16, 1975) was an American blues musician, composer, songwriter and bandleader, who was a pioneer and innovator of the jump blues, West Coast blues, and electric blues sounds. In 2018 ''Roll ...

Roy Milton Roy Bunny Milton (July 31, 1907 – September 18, 1983) was an American R&B and jump blues singer, drummer and bandleader. Career Milton's grandmother was Chickasaw. He was born in Wynnewood, Oklahoma, and grew up on an Indian reservation bef ...

, Billy Wright,

Wynonie Harris Wynonie Harris (August 24, 1915 – June 14, 1969) was an American blues shouter and rhythm-and-blues singer of upbeat songs, featuring humorous, often ribald lyrics. He had fifteen Top 10 hits between 1946 and 1952. Harris is attributed by ...

Louis Prima Louis Leo Prima (December 7, 1910 – August 24, 1978) was an American singer, songwriter, bandleader, and trumpeter. While rooted in New Orleans jazz, swing music, and jump blues, Prima touched on various genres throughout his career: he forme ...

, and

Sonny Terry Saunders Terrell (October 24, 1911 – March 11, 1986), known as Sonny Terry, was an American Piedmont blues and folk musician, who was known for his energetic blues harmonica style, which frequently included vocal whoops and hollers and oc ...

and

Brownie McGhee Walter Brown "Brownie" McGhee (November 30, 1915 – February 16, 1996) was an American folk music and Piedmont blues singer and guitarist, best known for his collaboration with the harmonica player Sonny Terry. Life and career McGhee was ...

. Less frequently mentioned,

Goree Carter Goree Chester Carter or Christer Carter (December 31, 1930 – December 29, 1990), was an American singer, guitarist, drummer, and songwriter. He was also credited with the stage names Little T-Bone, Rocky Thompson and Gory Carter, and record ...

also recorded some jump blues; his

Rock Awhile "Rock Awhile" is a song by American singer-songwriter Goree Carter, recorded in April 1949 for the Freedom Recording Company in Houston, Texas. The song was released as the 18-year-old Carter's debut single (with "Back Home Blues" as the B-sid ...

is said by Robert Palmer to be an appropriate candidate for the title of

first rock and roll record The origins of rock and roll are complex. Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, which itself developed from earlie ...

. The term "rock and roll" had a strong sexual connotation in jump blues and R&B, but by the time DJ

Alan Freed Albert James "Alan" Freed (December 15, 1921 – January 20, 1965) was an American disc jockey. He also produced and promoted large traveling concerts with various acts, helping to spread the importance of rock and roll music throughout Nor ...

referred to rock and roll in the mid 50s, "the sexual component had been dialled down enough that it simply became an acceptable term for dancing".

References

External links

Richie Unterberger: Jump Blues at Allmusic.com
{{DEFAULTSORT:Jump Blues Blues music genres Jazz terminology

Origins

See also

References

Further reading

External links